marplatenses, although there are still some who have confirmed the exact release date.
A program that is rich in variety and quality that expects to find answers in the summer which is in time pulsing between contrasts: it is very promising because new exchange rate parity encourages domestic tourism. But it is also true that inflation and declining purchasing power will leave many prospective travelers without holidays or with a limited format, a few days and a lot of attention at the time of expenditure.
That is why several variants and proposals that try to bring tickets within the reach of the family budget are anticipated. For example, with the values below those that this year are paid (and still paid) in capital spaces and even innovative promotions, as will happen with some jobs with extraordinary discounts for children under 17 . In addition, there will be a large number of tourist shows.
With more than 40 season marplatences behind him, good analysts from the sector but above all innovative before the most difficult moments, the theater entrepreneur Carlos Rottemberg (which tomorrow will be declared an extraordinary personality of culture in the Legislative Buenos Aires) has his habit of one from baptism every season with qualifications. For the future it will define it as "opposite." "There is a contradiction between the decline in consumption in all commercial activities and the expectations generated by dollar prices for larger national tourist flows," he explained. Previously calling it "pedaling" due to the promotion of support from the Buenos Aires government, 2016/17 for him was "cautious" and which had previously been "delayed" by delays implying changes in the national and provincial governments.
In the theater there will be many of the best that will have Marplatense billboards and many of the most valued ones that have a Buenos Aires table this year. Programming the room is filled with news and gestures in pursuit of the best results. For players and producers and also for viewers.
Sugar, with Laurita Fernández, will arrive at Neptune, an expensive arrangement that will force the small Bristol room to be sacrificed so that it acts as a support room and because of the risk of sound leakage from the blockbuster musical comedy. For Lido, who completed the Santa Fe complex almost San Martin, it was still expected to confirm another title.
On the other hand,
Jets will go to America with a management model "made in Rottemberg" that the producers and cast are accepted without hesitation. With a clever and visual profile to be enjoyed with family, this comedy will look for adults and children with a maximum entrance fee of 600 pesos (the same as the previous season and 25% less than the winter in this capital) and 200 others for children in underage, including teens up to 17 years. "That way the family of four will leave with 1600, and without the obligation to grow old, two children from 16 can go to the theater for a total of 400 pesos," he said.
Another special feature is the agreement with Gustavo Yankelevich, producer of
Sugar. "We collect your risk and the theater I do not accept the percentage, and must finance the costs", confirms Rottemberg on pure trust bets. They will only receive income if all costs are covered, such that ordinary shares will be formed which will divide profits evenly. Then all of your chips and the possibility of income are saved in a very good performance from the box office, in addition, it will depend on the adjusted value. Of the 950 pesos paid for the same work in Buenos Aires, it entered the entry here from 700 to 900.
"We are looking for a friendly price", recommending and claiming Rottemberg, convinced that this sector works for the middle class, the main theater client. In terms of percentage, it is understood that it must be adjusted in percentage closer to the parity agreement than to the extreme end of inflation.
The Atlas room will have brightness and fur with
Together again, which will mark the reunion of Santiago Bal and Carmen Barbieri, now with his son Federico, as a companion and director. It will have magazine profiles, genres that the family knows perfectly.
And on the theater stage of Mar del Plata you will see the music version
Crazy cage, by Harvey Fierstein and Jerry Herman, who will have Raúl Lavié, Nito Artaza and Cecilia Milone on stage, who will also play the role of director. The premiere will be held on December 21.
Another complex that closes the grid and will be another focus of strong theatrical offers is RadioCity / Roxy / Melany, which is owned by Lino Patalano and, with extraordinary efforts, has shown throughout the year. For this summer he has secured five Les Luthiers appearances together
Large reserves, his last job. Also for the main room will pass the recitals of Lali Espósito, Jorge Rojas, The Beats, and presentations by local artists.
Now Roxy Comedy, the basement will be a category that won so much land that it became its own stage: stand-up. The market leader, Roberto Moldavsky will take his show in the space he will share with Sebastián Wainraich, Dalia Gutmann, Sanata, Juampi González, Magalí Tajes, La Faraona, Martín Cirio, Nicolás de Tracy, Pablo Angeli, Pablo Molinari, Señorita Bimbo, Laila and Gonzo, Radagast, The Unnamable, La Cheppi, and Caripa. There will also be a date for the conference and presentation of the Sordo Pillar by Alejandro Dolina and the philosopher Darío Sztajnszrajber, among others. The small Melany room will be for the "a la cap" event, also with the participation of artists from Mar del Plata.
To the room, the province recovered, José María Muscari will arrive with
Right, jobs that already have a route, with Cristina Alberó, Luisa Albinoni, Katja Alemann, Paula Morales, Edda Diaz and players; and
Enemies of people, from Ibsen, with Juan Leyrado and Raúl Rizzo, directed by Lisandro Fiks.
On the beautiful street of Rivadavia, an artist's emporium that captures public hands, Olympia theater will once again bet on the reviewer genre once again, starting December 20, with the proposal of Omar Suárez and his guests. The nearby Corrientes stage, also returned to the ring after several years closed and will share the title
Hansel and Gretel and unipersonal Sergio Gonal. In front of Torreón del Monje, at the Tronador Concert, this week will be divided into performances by Marcelo Polino and Nacha Guevara and Jay Mammon with sexologist Alejandra Rampolla.
With more accessible values, product support from the provincial government, the Auditórium complex prepares up to now four strong theatrical titles. Piazzolla's room is back
Burning, with Luciano Cáceres leading the players; and it will be released
40 days and 40 nights, with Juana Viale, Leonor Manso, Pablo Alarcón, and Joaquín Berthold. It will also be seen there
Slaughterhouse, the work of French director Redha Bentafour, with Peter Lanzani and Germán Cabanas. In Payro's room it is programmed
Orchid Tuesday, a classic that will bring Mario Pasik, Rita Terranova, Felipe Colombo, Candela Veltrano, and cast; musical by Betty Gambartes and Bernardo Carey
Manzi, living in Orsai, with Alcira Davín, Darío Landi, and Carlos Vega; and
I came to leave, with Gabriel Chamé Buendía.
As in previous years, the provincial government will contribute to the performances of the Acercarte cycle. The Auditorium will program the theater on Tuesday, with the grid still undefined and the recital going back to Parque Camet in the days that did not affect theater offerings. Angela Torres will open and on the following dates: Soledad, Dread Mar I, Lali Espósito, Kapanga and Patricia Sosa, outdoors and with free admission.